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The Brief Wondrous Life of Oscar Wao, by Junot DÃaz
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Review
"An extraordinarily vibrant book that's fueled by adrenaline-powered prose. . . A book that decisively establishes [Díaz] as one of contemporary fiction's most distinctive and irresistible new voices." —Michiko Kakutani, The New York Times "Díaz finds a miraculous balance. He cuts his barn-burning comic-book plots (escape, ruin, redemption) with honest, messy realism, and his narrator speaks in a dazzling hash of Spanish, English, slang, literary flourishes, and pure virginal dorkiness." —New York Magazine"Genius. . . a story of the American experience that is giddily glorious and hauntingly horrific. And what a voice Yunior has. His narration is a triumph of style and wit, moving along Oscar de Leon's story with cracking, down-low humor, and at times expertly stunning us with heart-stabbing sentences. That Díaz's novel is also full of ideas, that [the narrator's] brilliant talking rivals the monologues of Roth's Zuckerman—in short, that what he has produced is a kick-ass (and truly, that is just the word for it) work of modern fiction—all make The Brief Wondrous Life of Oscar Wao something exceedingly rare: a book in which a new America can recognize itself, but so can everyone else." —San Francisco Chronicle"Astoundingly great. . . Díaz has written. . . a mixture of straight-up English, Dominican Spanish, and hieratic nerdspeak crowded with references to Tolkien, DC Comics, role-playing games, and classic science fiction. . . In lesser hands Oscar Wao would merely have been the saddest book of the year. With Díaz on the mike, it's also the funniest." —Time "Superb, deliciously casual and vibrant, shot through with wit and insight. The great achievement of The Brief Wondrous Life of Oscar Wao is Díaz's ability to balance an intimate multigenerational story of familial tragedy. . . The past and present remain equally in focus, equally immediate, and Díaz's acrobatic prose toggles artfully between realities, keeping us enthralled with all." —The Boston Globe"Panoramic and yet achingly personal. It's impossible to categorize, which is a good thing. There's the epic novel, the domestic novel, the social novel, the historical novel, and the 'language' novel. People talk about the Great American Novel and the immigrant novel. Pretty reductive. Díaz's novel is a hell of a book. It doesn't care about categories. It's densely populated; it's obsessed with language. It's Dominican and American, not about immigration but diaspora, in which one family's dramas are entwined with a nation's, not about history as information but as dark-force destroyer. Really, it's a love novel. . . His dazzling wordplay is impressive. But by the end, it is his tenderness and loyalty and melancholy that breaks the heart. That is wondrous in itself." —Los Angeles Times"Díaz's writing is unruly, manic, seductive. . . In Díaz's landscape we are all the same, victims of a history and a present that doesn't just bleed together but stew. Often in hilarity. Mostly in heartbreak." —Esquire"The Dominican Republic [Díaz] portrays in The Brief Wondrous Life of Oscar Wao is a wild, beautiful, dangerous, and contradictory place, both hopelessly impoverished and impossibly rich. Not so different, perhaps, from anyone else's ancestral homeland, but Díaz's weirdly wonderful novel illustrates the island's uniquely powerful hold on Dominicans wherever they may wander. Díaz made us wait eleven years for this first novel and boom!—it's over just like that. It's not a bad gambit, to always leave your audience wanting more. So brief and wondrous, this life of Oscar. Wow." —The Washington Post Book World "Terrific. . . High-energy. . . It is a joy to read, and every bit as exhilarating to reread." —Entertainment Weekly "Now that Díaz's second book, a novel called The Brief Wondrous Life of Oscar Wao, has finally arrived, younger writers will find that the bar. And some older writers—we know who we are—might want to think about stepping up their game. Oscar Wao shows a novelist engaged with the culture, high and low, and its polyglot language. If Donald Barthelme had lived to read Díaz, he surely would have been delighted to discover an intellectual and linguistic omnivore who could have taught even him a move or two." —Newsweek"Few books require a 'highly flammable' warning, but The Brief Wondrous Life of Oscar Wao, Junot Díaz's long-awaited first novel, will burn its way into your heart and sizzle your senses. Díaz's novel is drenched in the heated rhythms of the real world as much as it is laced with magical realism and classic fantasy stories." —USA Today"Dark and exuberant. . . this fierce, funny, tragic book is just what a reader would have hoped for in a novel by Junot Díaz." —Publishers Weekly
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About the Author
Junot Díaz was born in the Dominican Republic and raised in New Jersey. He is the author of the critically acclaimed Drown; The Brief Wondrous Life of Oscar Wao, which won the 2008 Pulitzer Prize and the National Book Critics Circle Award; This Is How You Lose Her, a New York Times bestseller and National Book Award finalist; and a debut picture book, Islandborn. He is the recipient of a MacArthur “Genius” Fellowship, PEN/Malamud Award, Dayton Literary Peace Prize, Guggenheim Fellowship, and PEN/O. Henry Award. A graduate of Rutgers College, Díaz is currently the fiction editor at Boston Review and the Rudge and Nancy Allen Professor of Writing at the Massachusetts Institute of Technology.
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Product details
Paperback: 339 pages
Publisher: Riverhead Books; Reprint edition (September 2, 2008)
Language: English
ISBN-10: 1594483299
ISBN-13: 978-1594483295
Product Dimensions:
5.2 x 1 x 8 inches
Shipping Weight: 9.1 ounces (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
1,561 customer reviews
Amazon Best Sellers Rank:
#6,015 in Books (See Top 100 in Books)
Pros: For me, this book somehow manages to embody that elusive “magical realism†genre that so many authors have attempted to capture since Gabriel Garcia Marquez coined the category with “One Hundred Years of Solitude.†The characters are real and flawed and complex, the history is rich, and the story sucked me in immediately. This is honestly one of the best books I have read in the past few years. I have given it as a gift to multiple people, and they have had nothing but good things to say about it.Cons: Don’t buy the Kindle edition. You need the hard-copy with the footnotes right on the page for you to read right as they come up in the book. There are a lot of footnotes, and they’re 100% needed to fully enjoy/understand the book.
Another book which, but for my office's book club, I'd never have even heard of, let alone read: and which I'm terribly glad I did. (I'm also terribly glad I bought a used copy, but that's another issue.)What we have here, is the story of a nerd - a fat (incredibly fat), ugly, intellectual, verbose nerd whose parents (Dad left when Oscar was but a wee thing) came from the Dominican Republic but who grows up in Paterson, New Jersey, and who dreams of just two things: love (ideally including the physical sort) and becoming the Dominican Tolkien.He is, as you might expect, a rather frustrated young man.Whole sections of the book, though, are not directly about Oscar, but about his family: his mama, Belicia De Leon (nee Cabral), the child of a cursed family; his sister Lola; Beli's father Abelard, who fell afoul of Trujillo and met the end that tended to meet such afoul-fallers. Perhaps a third of the book is directly about Oscar de Leon (who acquires the nickname Wao when some Domincan homies apparently have never heard of, and cannot correctly pronounce, Wilde).It's written, mostly, in a brilliant English, but with large quantities of Spanish, Dominican Spanish slang, and I don't know what-all else. (I learned a number of Spanish words during the course of the book, some of which are not for use in polite company. Also the N-word pops up far more often than a gringo blanco like myself is comfortable with.)Most of the story is narrated by DÃaz's stand-in, a Dominico called Yunior, which raises questions of how he knows some of the things he seems to know. Indeed, the final chapter reads to me as something tacked on by Yunior to give Oscar a bit of a happy ending. Your take on this may vary.Anyway, a lot of the book takes place in the Dominican Republic of Trujillo and his successors; the climax occurs during the unacknowledged occupation of the DR by America in the '80s; and it would be incredibly grim if it were not also incredibly funny. I can't decide whether it's a funny book that happens to be sad, or a sad book that happens to be funny. It's funny that way.What propels the story more than Yunior's voice is the characters. They sparkle with life even when terrible things are happening to them, and they change, both as time passes, and as we get to know them better. (Mama Beli, as we first see her through Oscar's then Lola's eyes, seems like a terrible person; then we learn her story and everything just shifts.)It is a terrible, a tragic story with the inevitability that makes a tragedy tragic and not merely bathetic. You won't go far wrong picking it up - from a library, or a used book emporium, or some such, please.
This book was easily one of the best I read this year. Its blend of cultural history, 80's nerdery, mystical curses, and romanticism create a relatable family history. My family is Cuban and this family history was so reminiscent of my own. It is hard not to sympathize with Oscar and his family. Oscar is the perfect pure soul who's goal is something we all strive for love and acceptance.If you are a fan of magical realism and cultural diverse stories definitely give this a try. If you have ever felt like an outcast please give this a try.
More than the story of Oscar --an obese, bullied, comic book-loving, fantasy role-playing nerd on a desperate mission to lose his virginity-- this is the story of a Dominican family's fukú: a potent curse said to have been cast on Oscar's grandfather Abelard by the Dominican dictator himself, Rafael Leónidas Trujillo. A fukú may affect generations, until someone along the line manages to find the right zafa to break the spell.In a combination of Spanglish, slang, and the occasional made-up expression, Junot DÃaz effectively captures the spirit and evolved identity of a transplanted Latin American family onto U.S. culture. It touches upon the struggle of a society affected by oppressive power, and the resilience and determination needed in their diaspora. As a native Hispanic, I wonder if and how non-Spanish speakers get to fully understand this book, because it's written not only in Spanish but in Spanish (untranslateable) slang. Also, as a native Hispanic, I was annoyed at the multiple grammatical and spelling errors in Spanish. Couldn't Diaz have found a bilingual editor?The book's chapters alternatively tell the story of Oscar and his immediate family members. Narrated by Yunior, Lola's on-again, off-again boyfriend, we learn of the De León clan's woes and how fukú, inevitably, catches up with Oscar. From the title we are aware that Oscar will die, but that news does not lessen our sorrow because by then we are despairingly rooting for his success. Oscar's unquenchable thirst for love is heart-wrenching because it is snubbed by every female he encounters. "His affection --that gravitational mass of love, fear, longing, desire, and lust that he directed at any and every girl in the vicinity without regard to looks, age, or availability-- broke his heart [and ours] each and every day". His family members and their struggles also break our hearts in their own struggles to survive their personal hell.As for the dose of Dominican history included in the book, I am so curious about Trujillo now that I will follow with Julia Alvarez's "In the time of the butterflies" and Mario Vargas Llosa's "La fiesta del chivo". Intense!
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